Wednesday, December 8, 2010

New Sensation, Old Hat

New Zealand Gerald has his own leaky Australian. Last week someone signing themselves “Australian Shane” emailed me a proof copy of Michael Hutchence: Original Sinner, purporting to be by one Pamela Hurst. I might as well come clean: I absolutely love Michael Hutchence – the man, the music, the Tiger Lily. Australian Shane must know this, but how? Until now, for reasons too numerous and salacious to repeat here, I have told no one of my Devil inside, of my adoration of the suicide brunet.

Some swift, goggling Googling determined that Australian Shane wasn’t in the business of playing practical jokes: Michael Hutchence: Original Sinner will be published next March by Gracenote Publishing, whose website describes the book as “so sensational that you will sin just by touching it”.

I of course devoured it in one sitting and could barely breathe as I read the final page – it was as if Sin, in the form of Hutchence’s leather belt, was strangling me for daring to read its secrets.

Bearing in mind the plight of WikiLeaker Julian Assange and fearing being extradited to Sweden on account of two unpaid parking tickets dating back to 1996, I knew exactly what I had to do: tell no one. Frankly, it’s more than my blog’s worth to reveal what’s in Michael Hutchence: Original Sinner. I can reveal, however, some of my own Hutchence discoveries – the products of decades of research – which I am proud to say Pamela Hurst seems to know nothing about. 

Behind Hutchence’s seemingly simple lyrics there is a rare, combining intelligence that, once recognized, changes your opinion of the man forever. Hutchence was obsessed with numerology – he was born in a fortune-teller’s tent in Luna Park – and even taught himself Hebrew and Ancient Greek in order to discover the full significance of the number 7 in the Bible.

By the time he was 27 Hutchence had developed an insatiable desire for numerology, discovering and digesting texts from every corner of the world. By the age of 30 his research had convinced him that it was in fact the number 3, not 7, that unlocked the secrets of the universe. Witness the opening verse of “New Sensation” (1988):


Live baby live
Now that the day is over
I got a new sensation
In perfect moments
Impossible to refuse
One could write volumes about these 30 syllables. Hutchence penned them on his 30th birthday, exactly 30 minutes after the time of his birth, which was exactly 3pm by the fortune-teller’s watch. The “baby” in the first line is clearly as much Hutchence as Tamara Nye, his then main squeeze (the letters of her name are divisible by 3). When on tour Hutchence referred to himself exclusively in the third person and only ever stayed in hotel rooms with a “3” in their number.

Close examination of the verse reveals Hutchence was foreshadowing his own death. Exactly 9 years, 9 months and 9 days after the release of the “New Sensation”, he filled his lungs for the last time. Prior to taking that final breath he’d spent 3 hours under the misapprehension that the Beck lyric “Loose ends, tying the noose in back of my mind” from the song “Jack-ass” (1996) was directed solely at him. Drug-induced psychosis takes no prisoners.

It should be clear by now that Hutchence’s “new sensation” and “perfect moments / Impossible to refuse” were heroin and incipient heroin addiction respectively. The chorus proves this beyond doubt:


Gotta hold on you
A new sensation
A new sensation
Right now
Gonna take you over
A new sensation
A new sensation
By the time Hutchence checked into his own Hotel California (he could never leave) in Sydney he was heating his “Judas” (a friend that betrays you) over 33 Bunsen burners using a specially commissioned spoon with the radius of a truck tyre. When not chasing the dragon, it was impossible to dissuade him from the belief that he was about to be squashed by a Godzilla-sized kangaroo. Amazingly, he had foreseen this ultimate chaos and sewn its desperate antithesis into the fabric of “New Sensation”:

Hate baby hate
When there’s nothing left for you
You’re only human
What can you do?
It’ll soon be over
Don't let your pain take over you

Love baby love
It’s written all over your face
There’s nothing better we could do
Than live forever
Well that’s all we’ve got to do
The bitter irony of the closing lines speaks for itself. There is nothing new under the sun and your new sensation is someone else’s old hat. Hutchence was sure to be found wearing nothing but his leather belt (around his neck) and the shabby pink Stetson Mick Jagger had given him in 1995 (a year divisible by 3).

The funeral was spectacularly interrupted by the well-known Australian lunatic Peter Hore, who shouted “This is how he did it, Paula! This is how he died!” before jumping over a balcony to which he had secured a 4-foot black cord, the other of end of which was tied to the dog collar he was wearing. Unfathomably, he was cut down before he was able to share the rocker’s fate.  

Hutchence’s “3 theory” did not die with its creator: his ashes were subsequently divided into 3: one third went to the UK with Paula Yates and his divorced parents argued over the rest.  



3 comments:

  1. Total rubbish. Hutchence was an Atheist. He didn't give a shit about the idiocy that's written in the Big Book of Jewish Fairy Tales.

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  2. New Zealand Gerald positively lives for comments like that, New Zealand(?) Anonymous. Thank you.

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  3. This is great stuff, Gerry. As for Anon's indignation, I'm reminded of M.Y.Lermontov's preface to his masterpiece "A Hero of Our Time": "This book recently had the misfortune of being taken literally by some readers and even some reviewers".

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